The reference to Linda Lovelace (born Linda Susan Boreman) pertains to one of the most controversial and disputed chapters of her early life and career. While she became a household name following the 1972 release of Deep Throat
Production: It was a cheaply made, silent short, typical of the era's low-budget underground productions.
In the years since its release, "Dogarama" has become a cult classic, with some arguing that it represents a pioneering work in the field of experimental cinema. While its artistic merits are still debated, the film's influence on the adult film industry is undeniable. "Dogarama" helped to push the boundaries of what was considered acceptable on screen, paving the way for future generations of filmmakers to explore themes and content that were previously taboo.
Want to learn more about film history? Check out our other posts on the History of the Grindhouse Cinema and the Cultural Impact of the 1970s.
The Good: The film’s atmosphere is undeniable. Lovelace, working with cinematographer H. R. Strum, captures a New York City that no longer exists—gritty, derelict, and hauntingly beautiful. The sequence where the drifter and the dog wander an abandoned amusement pier at dawn is genuinely poetic, using shadows and the lapping of water to create a sense of mournful isolation. The sound design, mostly ambient city noise and dissonant fragments of a cello score by an unknown musician, is bold for its time. There are moments of raw, unpolished truth here, especially in the unblinking shots of the dog’s eyes, which Lovelace wisely never anthropomorphizes.
- Linda Lovelace (born 1949) became widely known in 1972 due to the film Deep Throat. She was not publicly known in 1969.
- Dogarama is not a recognized film, book, or art project from 1969 associated with her or any mainstream source.
- No credible archive, film database (e.g., IMDb), or library catalog lists this title.