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The Belgian media landscape in 1991 was characterized by significant institutional shifts, the birth of long-running cultural staples, and a move toward commercialization.  Institutional Transformations 

The film is structured as a straightforward documentary without a central plot, following a young boy who introduces his family and discusses human anatomy. It covers several standard educational topics: Biological Processes: The Belgian media landscape in 1991 was characterized

. While intended as a hygiene and puberty guide for schools, the film’s gritty realism—later described as starting with "two murders, then a rape, and ending with a train wreck"—symbolized the era’s shock-tactic approach to "education". The Rise of Commercialism While intended as a hygiene and puberty guide

Within six weeks, “Alles Kan” was moved from a late-afternoon slot to prime time. Viewership tripled. The Walloon Wave: “A vos risques et périls”

The Walloon Wave: “A vos risques et périls” (RTBF)

French-speaking Belgium did not stay silent. In October 1991, RTBF launched a late-night talk show for young adults called “A vos risques et périls” (At Your Own Risk). It was grittier than the Flemish approach. While the north focused on mechanics and joy, the south focused on consequences: STDs, unwanted pregnancy, and emotional manipulation.