Laskar is a 2000 studio album by the progressive/psychedelic rock band Gong. It continues the group's exploration of space-rock, jazz fusion, and whimsical avant-garde compositions that Gong are known for, combining extended instrumental passages, layered textures, and surreal lyrical themes. The album reflects Gong’s evolving line-up and incorporates both electric and acoustic timbres, blending improvisation with composed frameworks.
The album consists of 12 tracks, including a prologue and epilogue that feature traditional Balinese chanting (Kecak style)
The album consists of 10 tracks, totaling approximately 43 minutes: # Kaki Tangan Setan Lagu Tentang Cinta Alam Dan Penguasa Setan Jalanan Menanti Kejujuran Mulut Mulut Notable Highlights gong 2000 album laskar
Tracklist
Gong's 2000 album "Laskar" is a studio album by the French/ British experimental rock band Gong. The album was released on May 22, 2000, through the label Virgin. Gong — 2000 Album: Laskar Overview Laskar is
Laskar is more than just a collection of songs; it is a thematic statement. The album’s title track, "Laskar," became an instant anthem. With its galloping drum beat, aggressive distorted guitar riffs, and the raspy, commanding vocals of vocalist Iwang (Noor Iswan), the song captured a spirit of rebellion, unity, and resilience. It resonated deeply with the youth of post-Reformasi Indonesia, who were finding their voice in a new era of democracy and freedom of expression.
Released in 1993, Laskar is the second studio album by the Indonesian rock supergroup Gong 2000, featuring legendary members like Ian Antono and Ahmad Albar. Key Album Details The album consists of 12 tracks, including a
Lia Nawaz: The Heavy Metal Dangdut Frontman Lia Nawaz is the heart and soul of this record. Her vocal delivery is unique in the dangdut sphere. While many female dangdut singers of the era leaned into sweetness or melodrama, Lia delivered her lines with a rock-star grit. On tracks like "Terlena" and "Satu Muka," she sounds commanding, almost aggressive, matching the volume of the amplifiers behind her. She doesn't just sing the lyrics; she belts them with a defiance that gave the music a distinctly masculine, heavy energy that appealed universally.